Wednesday, September 4, 2013

3 Act Structure Worksheet


3 Act Structure Worksheet

ACT 1 The Setup
A)   What is the story's setting?
When: Modern Time
Place: Studio, Market, Gallery,
1.What epoch?
When he discovered the magic pencil that made amazing artwork but takes it from another artist and when he got the work into a gallery show.
2. What class or kind of society are we in?
Capitalism
3. What pressures on the characters does each environment exert?
         He faced the pressure of trying to sell his art for finance, being successful, famous, and to have admirers of his art the way he does it, not to sell out. However, there is also the pressure to sell out because that what brings in the money, doing what the people want not he wants to do.
B)   Characters. Who are they and what does each represent?
The Artist (Male, Late 20s, dress very down,)
The Gallery Owner (Male, Upper 30s, hip)
The Other Artist (Female, Mid 30s, busy)
 The Artist (To tell his story)
         Gallery Owner (To give him success and fame)
         The Other Artist (To create conflict)
1. What are their names, characteristics, and relationships?
         The Artist (Male, Late 20s, dress very down,)
         The Gallery Owner (Male, Upper 30s, hip)
         The Other Artist (Female, Mid 30s, busy)
2. Who is most important and why?
The Artist because it is the story of the rise and fall of his life in the art world.
3. What does each character represent in the work's design?
         The Artist (To tell his story)
         Gallery Owner (To give him success and fame)
         The Other Artist (To create conflict)
4. What is the main character's agenda--what must he or she get, do, or accomplish?
         Get his artwork out there to become a famous and successful artist.
5. Through whose point of view do we mainly experience the story?
         The Artist
(C) Conflict. What opposing forces are at work in the story?
The Other Artist to which she claims he stole her art ideas exposing him as a fraud.
1. What minor problem does each main character face?
The Artist (Not able to sell his artwork in the beginning)
The Gallery Owner (Finding that his friend is a fraud)
The Other Artist (The dealing with all the other busy stuff in her life)
2. What obstacles prevent them from carrying out their agendas?
The realization that the artwork is between The Artist and The Other Artist are the same, making The Artist a fraud.
3. The main character's conflict is between ________himself________ and _________the other artist_____.
(Be careful here that you can name forces in opposition, not just an emotion or tension in the main character.)
4. At what point is exposition complete and the audience in possession of all necessary setup information? 
When The Artist goes back to his studio after the gallery show of his work and he been discovered as a fraud.

ACT II Complications
A) How have the obstacles faced by the main character changed?
The obstacles do not really changed but disappear in the end as he goes back to his original style of drawing.
B) What adaptations does he or she make while trying to solve each problem?
Deny that he’s a fraud, try to redraw with magic pencil (but can’t), goes back to his own style of drawing again
C) What new factors raise the stakes? (What developments make the main problem harder to solve?)
     The magic pencil is all used up.

ACT III Confrontation, Crisis, and Resolution
A) What drives the situation toward the final crisis point?
The magic pencil is all used up.
B) Where do opposing forces come into the final, decisive confrontation?
When he realized that he is a fraud because of the other artist and go home to see the pencil is all used up.
C) How is the apex of the problem resolved, and which of the opposing forces wins?
He forgets what happened and go back to his own style of drawing.
D) Does anyone learn and grow, even minimally, from this resolution, and if so, how?
The Artist does because he realize that even though the other drawings from the magic pencil was fancied more, he loses himself which he realizes is not the point of art. Not to sell out but to create one’s own vision, whether it is to be admired by only one person to thousands.



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